Some picture from my garden..

 

Lovely summer flowers are out despite the rain,
here are a few in flower at the moment!

WOOLFEST 2012

My first time at Woolfest in Cockermouth, Cumbria was very exciting and full of people into wool, sheep, textiles, fibre, felting, spinning, dyeing and colour.. a creative bunch too.

Here I did one of my Weaving with Nature workshops, which was very well received by florists, teachers, children and fibre artists inspired by colour, texture and pattern. 

I also managed to get around the show on the last hour of the weekend, and not spend very much, (thankfully).

In the auction auditorium,
hundreds of pompom sheep
were sitting in a great herd!

Riven Oak Demi Vase - a prototype

I've been developing my riven oak vase idea, which first started at the Contemporary Coppice workshops with Charlie Whinney in February 2012. Since that workshop, Charlie asked me to make 20 jam jar riven oak vases for his wedding, and this was great practice at riving and developing the general idea.

Riving oak is not an easy thing to do, as it first involves boiling the oak lengths for a period of hours over a fire (or whatever contraption you can devise). My problem was keeping the water vat up to temperature.

To rive the oak very thinly, it needs to be very hot in order to work it - bend it apart into thin strips. As it cools down, it becomes stiff and brittle again. I had very sore hands after two days of riving and weaving, with lots of firewood scraps!

I did an Oak Swill Basket making course with Owen Jones in March 2012 at Bodfari (North Wales). The oak 'tars' used in the baskets are the same material I'm using in the vases. Strips of oak about 3mm thick and up to 4ft in length.

To give you an idea of the skill involved - it took us 3 days to make one basket each.. it takes Owen a matter of hours. His hands are huge, black (stained with tannin) and rough, they look quite similar to oak branches in fact.

There is an enormous amount of manipulating of the riven oak strips, hard on the hands, wrists and general body. Owen Jones's courses are brilliant, and I found it quite intense even being an experienced greenwood worker.

So, this is where the vase idea is up to, the oak is woven around a demi john - I have other glass ideas in mind, but this gives a nice shape and substancial size. I need to work on riving cleaner strips of oak, and making a better boiling set-up. But it's a pleasing development. Let me know what you think!

Original Oak Swill jam jar vase

An indoor silver birch bench

Here is a new bench I've just finished with a silver birch seat and ash legs. Very simple construction, but lots of interesting curves and waves in the legs and seat. A nice burr in the seat edge too.

And let me just gently remind you that commissions are also available!

Sculptural Benches

 Here are the final photos of some very nice outdoor sculptural benches made at Clissett Wood last week (End of May 2012) on which I was assisting in the workshop. I hope my sense of humour didn't upset anyone! Most of the benches are made from Oak and Sweet Chestnut for outdoor use. We were sweating away in the searing heat of the workshop and drinking pints of water to stay cool! Gudrun was in her element with this freeform course, it's one of my favourite courses for the variety of ideas that are tried out.

Ian's oak bench

Dave's oak bench

Peter's oak bench

Shawn's oak and Sweet Chesnut bench

Environmental Arts Workshops

Over the spring I was asked to run a series of Environmental Arts workshops by Wrexham  BTCV. These workshops were aimed at Unemployed women across Denbighshire and we ended up working on 2 sites, one in Denbigh and one at Bodelwyddan Castle for 5 days each.

Each day we did a different activity from Charcoal Drawing, Printmaking, Greenwood work, Feltmaking and Willow work.


PRINTMAKING with woodland leaves and flowers to explore their intricate designs and create our own patterns and prints.



GREENWOOD WORKING
I designed a task to create a woodland xylophone from greenwood. This workshop was intended to give lots of taster experiences using different techniques in greenwood working such as splitting logs down into posts with mallets and wedges, using an axe to shape wood, using a shave horse and drawknife, searching for suitable materials such as hazel in the woodland, drilling and constructing all using hand tools and building team work.

The seemingly difficult task of splitting big heavy logs into something manageable or usable made a big impression on the woman and they were filled with confidence when they actually saw how easy and satisfying it was. Each person found something they particularly enjoyed in this session, whether it was using the shave horse, or splitting.

FELTMAKING
This workshop gave an overview of sheep wools, from raw fleece to the washing process and looking at the colours we can get from natural dyes. We then made some decorative felted soaps and felted stones (for doorstops or paper weights). We got very soapy! 
Afterwards we made felted pots, berets or purses with a different felting technique. Sometimes the rain came down, our Denbigh site was quite exposed place to work..but they were a hardy bunch spurred on by cups of BTCV tea and biscuits!




GIANT COBWEBS & WILLOW INSECTS
This session involved creating giant cobwebs in the trees by wrapping spun wool and yarn into a web shape. Our willow insects were created by finding forked branches to make legs, then wrapping and weaving willow to create body and wing shapes.


DRAWING & PAINTING

Here we sketched using charcoal, ink and sticks in the woodland, recording sounds, views and feelings in the environment. The group at  Bodelwyddan Castle were asked to camouflage a works container using only 2 colours! I asked the group to collect leaves and take inspiration from these for camouflage patterns. There is an abundance of Wild Garlic in the wood and one of the group decided to carry on this theme... 
 

 

New Greenwood Scheme - the beginnings of a new movement?

View around Witherslack, Cumbria.

Last weekend, a group of coppice workers and designers came together in a creative melting pot at Charlie Whinney's workshop in Cumbria to think, design and make using greenwood working techniques. Our aim was to thrust our skills and knowledge as greenwood workers into the contemporary market, bringing our craft bang up to date with modern design items suitable for the high end market. Ambitious? Absolutely!

After a day coppicing for various sizes of materials including hazel and ash we were each given a brief . My brief for example was called "Picture This". Can you make picture frames using reclaimed bits of glass? It should sell for between £10 - £100, to be made within 1/4 - 2 hours. I had a few ideas, but needed to test them out, and could they be made within the timescale?

On day two the designers arrived, we had introductions to everyone and their work, and then mixed into groups and given the 1/2 hour jam jar challenge by Charlie. Make something contemporary with greenwood, utilizing a jam jar!

There were lots of lighting ideas, some more complicated than others. I spent a frantic session on the pole lathe turning a stake for a garden light our team had devised. (I especially liked the twisted honeysuckle cabling that came out of this.) I then had a little idea of my own and had a go at my vase idea with oak spills that Owen Jones (Swill Basket Maker) had brought along.

Blackwell Arts and Craft’s house, Cumbria.

Later that day we went to a conference at Blackwell Arts and Craft’s house in Windermere, Cumbria. There were some very simple and beautiful rooms here, not to mention the stunning views.

Talks were by Kathy Haslam, curator at Blackwell on the politics of the Arts and Crafts Movement, Ray Leigh on Gordon Russell and the Utility Scheme and key note speech by the designer Michael Marriott added to our own discussions on design and the coppice movement. Later that evening we all enjoyed an impressive meal courtesy of our hosts who own the Witherslack estate. Some of the party got a bit merry!

Lighting idea.

 On day three and four we finally began work on our various designs using different greenwood materials and techniques, not all were successful and some ideas evolved through the process. The designers left us to work on our ideas having been inspired by the materials and scope of possibilities.

Here are a few photos taken by Maria, the wonderful organizer from Grizedale Arts. There were an awful lot more design ideas and prototypes which are not shown here...so watch this space! It is hoped that the final designs will form part of a contemporary greenwood pattern book so that other greenwood workers can make these items too.

There will be an exhibition of this work and hopefully a lot more will come out of this. We all found it highly beneficial as greenwood workers coming together, inspiring each other as designer/makers and seeing the potential of our craft. Hopefully, we can begin to push our craft into the contemporary market, offering a sustainable and intelligent alternative to plastic, throw away, mass produced consumer products.

Recipe book stand by Matt Turley

Necklace by Gerry Smyth

Tea light holder by Vicky Naylor

Table made by Pete Lanyon with design
assistance from Gemma Matthias.

Vase by Elizabeth Cadd

Hat stand by James Mitchell

Stool made by Ian Taylor, designed by Jack Smith

You can join the newly formed
New Greenwood Scheme on
facebook to keep up to date.

Potato Mashers and Porridge Spurtles - doing it the old fashioned way

These wooden potato mashers and porridge spurtles were commissioned by an elderly Scottish chap looking to give presents to his family. I made 7 of each as requested.

The design of the potato masher was described to me, and luckily I managed to see a nice example (no touching allowed mind you), in the Welsh Museum of Rural Life just before I started to make them. The green wood I used was fresh maple, some lovely green tinged cherry, and a whiter cherry. I turned a variety of handle shapes and mashing ends as the wood allowed on the pole lathe. All are approximately 18" tall. The mashing ends are about 3" diameter.

They would probably also be useful for tenderizing your nearest and dearest in the kitchen. (Joke)




The design of the porridge spurtle was a copy of his own that he'd used for the last 40 years. He made porridge every day, or every other day, letting it rest - I can't remember which. His own spurtle had worn down 1" shorter than it should have been, and so his hand was getting too close to the cooking pot.

The practical feature of this design is that the ball rests comfortably above your hand, as if holding a pen. He also insisted that the ends should taper. I made a variety of designs as the wood dictated. Five were turned from pear wood and another three from cherry.













One of the pear spurtles had a peculiar kink at the top when it dried out, since the thin point above the ball sat on a knot. I had meant to keep this one for myself but somehow he ended up getting a bonus spurtle. Lucky old him!

Everything was burnished with greenwood shavings from the lathe and oiled with culinary linseed oil a few times. I was very pleased with the finished work.

Contemporary coppice workshops

I'm very excited to have a place on these workshops, it should be a great start to the year!

An exciting new series of workshops and talks in February 2012 bringing together coppice workers, green woodworkers and designers to create some new ‘contemporary coppice products’.

This event in Cumbria is organised by Grizedale Arts and is led by award-winning artist Charlie Whinney who will offer his unique steam-bending skills to attendees of the practical workshop. 

There are four ways to be involved:

1.                   1 day Conference - Saturday 18^th February 10am-5pm at Blackwell Arts and Craft’s house in Windermere, Cumbria. With talks by Kathy Haslam, curator at Blackwell on the politics of the Arts and Crafts Movement, Ray Leigh on Gordon Russell and the Utility Scheme and key note speech by the renowned designer Michael Marriott.

2.                   4 day Practical workshop – Friday 17^th to Tuesday 21^st February. There is a limited number of spaces available – if you are want to make an interesting career out of using  coppice or green wood this will be invaluable.  You will spend time alongside award-winning product designers including Michael Marriott and renowned local coppice workers including Owen Jones and Matt Turley.  You will also no doubt learn a lot about steam-bending, different making techniques, and a chance to share skills and ideas with other makers and designers.

3.                   Visit www.newgreenwoodwork.com  or www.grizedale.org after the event.  The new designs will be made available online, and we will also put up photos and videos of how we got on.  Also if you have any photos of interesting uses of coppice or particularly beautiful green woodwork please send me your photos ASAP as they will be really helpful and we can share them online.

4.                   2 day Practical workshop  - Saturday 25^th and Sunday 26^th February. A weekend workshop on Brantwood Estate in Coniston, from the cutting of coppice wood to finished product.

Visit www.newgreenwoodwork.com for more information.

Hand woven natural dyed cushions

This week I've had some time at home spinning and weaving up some of my natural dyed wool. I have a new country spinner spinning wheel with a massive 2lb bobbin, which is very impressive indeed, and has made me a very, very happy lady! Ha ha

My cushions are handspun, using natural plant dyed wool and hand woven on a small loom.

 Here are some picture of some cushions I've made which I sell from my Etsy Shop